The sand beneath my paws – a lesson on presence from an old dog.

I watched an old dog on the beach yesterday.

The morning was an absolute pearler. Clear blue sky, warm, calm waters. Children were making sandcastles, horses were being exercised, families out fishing. And I was attempting to tire out Audrey the 4 month old border collie puppy. As we walked my attention was caught by an old golden retriever ambling slowly down across the sand dunes. I used to work in animal welfare so I know I’m not supposed to anthropomorphize, but it seemed to me that as he did, he was smiling a wistful smile.

As I watched, he got half way down to the water, paused and sniffed the air. Then he spotted Audrey frolicking in the shallows with her slightly too big stick and stopped. He stood there for  a noticeably long time, just watching her. And there was something about his gaze that made me think he was remembering being a boisterous young puppy, bounding in and out of the water. There was something so poignant in that moment, that I found myself smiling and welling up at the same time.

As I watched, the old fella walked slowly onto the wet sand and rolled onto his back, scratching deliciously from side to side, wagging his tail. Then, rising a little unsteadily to his feet, he made his way into the shallows for a few moments, where once he again he stopped and sniffed the sea air. Eventually he turned and ambled back up onto the soft dry sand to meet up with his human companion. She saw me watching her dog and smiled.

Prior to this encounter, I’d been thinking about events of the past week and looking ahead to the next. Analysing and planning. Crossing things off ‘to do’ lists, making new ones. But something about this wistful little experience, brought me gently but very firmly into the present. If an old dog can stop, sniff the sea air, simply enjoy the sun on his face and sand beneath his paws, then so, too, can I.

 

Adventures with Loo and Elf at Duke Carvell’s.

This evening I met with two of my favourite people, Elizabeth (known as Loo) Connor and Elf Eldridge. Both science communicators, I catch up with them each month for three reasons. The first, quite simply, is I like them. The second is that they make me think AND they capture my imagination. The third is that they provide me with new dots. Because while I’m in my element connecting dots, I’m beginning to understand that to do it to the best of my ability, I need new ones. And one of the best ways to do that is by spending time in the realm of the stuff I don’t know I don’t know.

So I meet Loo & Elf at Duke Carvell’s No. 6 Swan Lane Emporium and we’re greeted by Enzo with the magnifient moustache. A moustache, he tells us tonight, that he keeps because it makes his patrons smile. In spite of the fact that its absence would mean not having to make toast soldiers in the morning.

Eschewing the wine list in favour of Enzo’s excellent recommendation, I savour a glass of pinot grigio as Loo, Elf and I talk about all sorts of things. Or more accurately, I ask questions and they talk. About the definition of Science. The transit of Venus. How the legendary molecular biologist Francis Crick apparently first perceived the double-helix shape while on LSD. The natural curiosity of bacteria. Outer space. Inner space. Yes, all sorts of things. And I feel not only my mind expand but my heart because these two very, very bright young science communicators also care deeply about the world.

Eventually I leave No. 6 Swan Lane Emporium and make my way slowly, thoughtfully, home.

It’s been a while since I last wrote a post for this blogsite and talked about polyurethane padding in bras. In the interim I’ve moved house and found home. A home which is part beach-house, part farm house. A long rambling place where bouganvillea blooms and the two goats I’ve inherited bleat about the absence of more interesting food to forage. A space from which to find new dots and connect them. A space from which to venture out into the realm of the unknown.

Just a shortish post tonight, as I dip my toes back into the waters of personal storytelling with a few new sparkling dots tucked into my bag of fairy dust.

Sleep beckons, but before I go, a question…Do you know something now that you didn’t know a day ago?… Just asking.

Sweet dreams all.

Postscript & Polyurethane.

In the last few weeks of 2011, I wrote a post entitled a tale of a pretty green dress in which I describe my experience of buying a dress from the  Wellington clothing store Goodness. I’d bought the dress primarily to wear to a wedding and everything went according to plan (i.e. I enjoyed wearing it) until while searching for the washing instructions, I discovered a little white label which simply said ‘Made in China’. Unable to find any further information, I promised myself – and any of you who read the original post – that I’d go back and speak with the gals at Goodness. I did. However Christmas, time away from the computer and the beginning of a busy year have intervened and it’s taken me a while to provide you with a postscript.

The owners of Goodness, Justine and Chris, were helpful and generous with information. The green dress was apparently made in a very small factory in China and both women have visited the factory several times. In Chris’ words “all of our clothes are manufactured in very short runs by a small family business, owned and run by two of the loveliest women you could hope to meet.  They are sisters”.

In response to my query as to where the fabric came from, the response was “We buy our fabrics from a couple of  local markets in Shezhen China.  The store owners are all small family businesses also.  I’m sorry I’m not able to tell you exactly (because we dont know) where the materials are manufactured or whether they are certified only that we are very careful to support the local people and their families“.

Knowing more about of the dress does undoubtedly alters my experience of wearing it. My perception of the little white label simply saying ‘Made in China’ shifts with awareness that ‘two of the loveliest women you could hope to meet’ own and run the factory in which it was made. I still have questions (yes, concerns) about where the factory was made and how, the process and the people. But it certainly makes a difference knowing that the designers choose their suppliers with care.

Polyurethane

Still on the subject of ‘looking at the label’, last week I walked into work in my gym gear forgetting to take the appropriate bra for the dress I had to change into. The sports bra wasn’t an option and so I had to make a quick bra purchase. I wore the Berlei bra happily for the rest of the day but  – and you may have some sense of where this is going if you’ve read the original post on the pretty green dress that night I looked at the label on the inside of the garment and the first thing I read was ‘nylon polyester elastene with polyurethane padding’.

Hmmm.

A quick google search confirmed my initial thoughts on polyurethane, ‘a synthetic resin in which the polymer units are linked by urethane groups, used chiefly in paints and varnishes’. Not something, I have to say, which would leap to mind if asked to list the materials used to make a bra.

However, it turns out that polyurethane, in a number of forms, including foam, is used in a very large number of consumer products. And a couple of hours of online research turned up the following information on the website of O Ecotextiles, a Seattle based company created by two women who wanted to ‘to change the way textiles are made by proving that it’s possible to produce luxurious, sensuous fabrics in ways that are non-toxic, ethical and sustainable’. This is from their page addressing foam for upholstery cushions:

“Polyurethane foam is a by-product of the same process used to make petroleum from crude oil. It involves two main ingredients: polyols and diisocyanates:

  • A polyol is a substance created through a chemical reaction using methyloxirane(also called propylene oxide).
  • Toluene diisocyanate (TDI) is the most common isocyanate employed in polyurethane manufacturing, and is considered the ‘workhorse’ of flexible foam production.
    • Both methyloxirane and TDI have been formally identified as carcinogens by the State of California
    • Both are on the List of Toxic Substances under the Canadian Environmental Protection Act.
    • Propylene oxide and TDI are also among 216 chemicals that have been proven to cause mammary tumors. However, none of these chemicals have ever been regulated for their potential to induce breast cancer.

Oh.

Let me be very clear, I’m not a scientist, let alone a chemist. I have, as I’ve said, simply spent a few hours researching online but frankly I’ve read enough to lead me to say that I’d prefer not to wear a product made from polyurethane next to sensitive tissue.

Where to from here?

Three things. Firstly, I’ll keep abreast of the issue. Sorry, couldn’t resist. But I will. A class action was launched a couple of years ago in the U.S. against Victoria’s Secrets with respect to their use of polyurethane padding in bras and I’ll be interested to see where that goes. Secondly, because of my two recent experiences of being surprised by the label I will endeavour to consider my consumer decisions a little more carefully and even when moving at speed, pause and check the ‘ingredients’. Finally, I’d really like to hear about any enlightening consumer experiences you’ve had!

A tale of a pretty green dress.

Last weekend I went to a beautiful wedding. I know most women say they don’t have anything to wear, but I really, truly, didn’t.

Over the last few years my wardrobe has become smaller and smaller. In part because my ‘clothing budget’ has been allocated to developing ElementAll, but also because I’ve been trying to get as much wear as possible out of my existing pieces. And most are now looking a little tired. Some have actually worn out.

Therefore on the Thursday before the wedding, I went in search of a dress. Because I’d left it rather late, I’d let my fingers do the walking online the previous night and I had a shortlist of stores to visit. Actually, store, singular. I was cutting it fine. An hour and a half scheduled into the middle of my day was all the time I had to find something. However, I’d passed Goodness many times and popping in once or twice, I’d seen a style I liked. Beautiful fabrics, rich colours, classical and a bit quirky. Elegant but not taking itself too seriously. And while I’m not a seamstress, the clothes appeared to be of high quality, well-made and not outrageously expensive.

Setting out on my little shopping expedition, my intention was to find a green dress. Apparently Cinderella’s fairy godmother was in town on an equally tight schedule because I walked into Goodness and immediately spotted a gorgeous green silk dress made by the in-house label Hale Van Traa. Trying it on, I was assured not just by the lovely woman serving me but a fellow customer that it was flattering and feminine and suited me. So far, so good!

Fast forward, Saturday afternoon. I’m sitting in the little wooden church in Martinborough fanning myself with the order of service, watching men in suits swelter in the early summer heat. Feeling fresh as a daisy in my pretty green silk dress.

Fast forward, Sunday early afternoon. I’m at the ‘after-match’ lunch enjoying being told by numerous people how lovely the dress was and how much it suited me.

Fast forward, Sunday evening. I’m checking the label to find washing instructions and find a little white label saying simply ‘Made in China’.

Oh.

A frisson of disappointment. But aware of the fact that New Zealand designers are having to manufacture off-shore in order to sustain their businesses and are paying attention to the other aspects of sustainability, I didn’t let that sense of disappointment settle in. Instead I looked at the Goodness website, hoping to find the story behind the label. Information on where the product is made and why. But I didn’t. Just the little white label with ‘made in China’.

My heart sank.

It really did.

Mostly, I think, because I was disappointed in myself. Every year, I give a lecture to the fashion design students at Massey University on sustainability. I’m fully aware of the fact that ‘Made in China’ could mean that the beautiful green of the dress was created by using a toxic dye which now runs through a river in China. The sweet little buttons may have been stitched on by a young woman working horrendous hours for barely anything. But in my haste, I didn’t stop to look at the label.

Let me be very clear, my issue is not with ‘Made in China’,  the issue is that I don’t know who it’s made by. China, after all, has a long, rich history of producing stunningly beautiful fabrics and garments. But it also has a history of human right rights abuse and environmental degradation. It is experiencing industrialisaton on a truly massive scale. I see ‘Made in China’ and I think mass-produced, impersonal, care-less. I don’t think to myself ‘the hands that made this are appreciated and paid a good wage and care about this process’. I know this is a generalisation, but it’s what I think, and these thoughts instantly diminished my appreciation of my pretty green dress.

A green dress which is, right now, sitting quietly in the corner of my bedroom waiting to go to the dry-cleaner. something else I should have checked as I’m not a fan of ‘dry clean only’ pieces. It sits there with a worried expression, like a much loved dog which has been told off for doing something wrong and it doesn’t know what. My green dress says plaintively to me “What have I done?….” and I reassure it. Explain that I will, of course, wear it again and love it. But before I do, I’ll go in and have a conversation with the gals at Goodness. Gently share my experience and ask if they can tell me more of the tale of a pretty green dress. I’ll let you know what they have to say.

 

 

 

The not so odd final words of Steve.

Recently, the New York Times published the eulogy Mona Simpson gave for her brother Steve Jobs. It is beautiful, moving and deeply insightful. However it is the last few lines that struck a deep chord with me.

Spoiler alert…If you’d like to read the eulogy first, then click here.

My father, Clive, died of a degenerative neurological disease 8 years ago. I was living in Sydney at the time and a week before he died, my cousin called to say that Dad had been admitted to hospital with an infection and while he could no longer speak or write, he’d managed to make it clear that not only did he not want to be treated with antibiotics, but he was refusing all food and water. He was choosing to go.

Dad had been diagnosed with Lewy Body disease 7 years before his death and during that time had gone from being a proud, fit, immensely self-disciplined (sometimes even a little Victorian) surgeon to a wizened little old man unable to walk, talk or care for himself. Witnessing the deterioration was at times almost intolerable. And watching him die was, I think, quite possibly the most challenging thing I’ve experienced. I spent that last week with him, barely leaving his room. I talked to him, listened to the classical music he loved so much and sat in silence reading the final Harry Potter book as his body shut down.

However there were moments of light. Dad’s sense of humour was dry, gentle and occasionally wicked. His determination formidable. At one point his sister found him taking his own pulse. ‘What are you doing CB?!’ she exclaimed and caught the faintest glimmer of a smile. In the place he’d worked for so many years as a physician, the staff were truly wonderful, nurses who’d assisted him in theatre came and sat for a while softly stroking his hand. At times the room was full of family and friends hooting with laughter, recounting escapades and adventures.

For the last few days of his life my father was mostly unconscious, doped up on morphine, a sallow skinned shell of a man. Occasionally his eyes would half open, but as Harry and Voldemort waged their final battle, Dad did not ‘rage against the dying of the light’ instead he let go, breath by shuddering breath, winding down like an elegant antique watch.

However on the clear, sunny winter’s morning that Dad died, my cousin and I were sitting quietly talking in his room when he suddenly, unexpectedly, sat bolt upright. No longer cloudy, his eyes were clear and bright. The sallow complexion and weighty aura had been replaced by something much clearer and lighter. He sat there, for those last few seconds, and looked not at us, but past us with an expression of wonder.

And yet the thing that really took my breath away and has kept me wondering ever since, was that in his expression I could see recognition. It was as if he was seeing something he recognised and this delighted him beyond measure.

I’ve spoken to doctor friends who have explained his reaction in terms of biochemistry. But those doctor friends weren’t there. I knew my father, I saw what happened and there is absolutely no doubt in my mind that he saw something, someone, somewhere he recognised.

My father was not religious. I don’t recollect hearing him ever hear him say anything remotely spiritual. While he was something of a renaissance man (farmer, artist, sportsman), he was essentially a man of science. He even considered chiropractors and psychologists to be on the fringe. Yet this absolute lack of spiritual belief and practice made his behavior in those final few seconds even more remarkable.

As I read the final line of Mona Simpson’s eulogy for her brother Steve, describing his final few moments of looking past family and saying ‘OH WOW. OH WOW. OH WOW.’ – I said ‘Oh wow’, out loud, too. While I don’t know what Dad saw and I obviously have no idea what Steve saw, I recognise in Mona’s telling of Steve’s final moments, the experience of bearing witness to someone passing into the Wow. Wherever and whatever that may be…

The day after Mona’s eulogy for Steve was published the NZ Herald printed an article entitled ‘Steve Jobs’ odd last words revealed‘ noting that apparently before his death Thomas “Edison emerged from a coma, opened his eyes, looked upwards and said ‘It is very beautiful over there’.

Steve, Thomas, Dad. Maybe not so odd after all.

Wow.

I would love to hear from anyone else who has shared a similar experience.

 

 

 

Connect our dots, create a campfire, find our way.

Once upon a time, but not all that long ago, we used to find our way by connecting dots…

It has taken me many years to understand that what I love to do and what I’m good at, is connecting dots. It’s taken me even longer to say that out loud…’Hello, my name is Tink Stephenson and I’m a dot connector’.

Why do I find it so hard to say? Because while I’m in my element connecting and instinctively feel that it is worthwhile, I’ve struggled to see, let alone articulate, the value. Largely because that value lies in the space between two or more dots. In creating something where before there was simply potential. Also, because quite frankly it’s hard to quantify in monetary terms. When the action lies in the realm of potential and connections of future value, it’s really hard to know how to put a price on that…But in the last few weeks, the foundation for valuing my dot connecting has begun to take shape and the catalyst has been the word navigator.

Two weeks ago I went to the Carter Observatory to hear Paul Curnow, a lecturer at the Adelaide Planetarium, talk about Aboriginal night sky knowledge and indigenous navigation. Then later that week, during a conversation about ‘super powers’ I described mine to a wise and smart friend Nick Potter as the the ability to gather a whole lot of ingredients, pull back in order to have a panoramic view of them all, connect the dots and then then zoom in to synthesise. Or something to that affect. Nick’s response was “Maybe you could describe that as “navigator” – super powers – an ability to see the constellations and draw connections among different points of light, create an image or story that connects them and use those images to guide the way”.

I believe you can tell when people are in their element or in touch with their own super power, because they light up, their eyes shine brightly. What gets me positively fizzing with excitement is watching other people light up and then connecting their spark to another and another and so on… Magic lies in connecting people whose spark has been lit. Create a campfire, connect people whose eyes are shining and there is potential for something alchemical.

So to last week and another talk at the Carter Observatory. This one with Dr Julie Teetsov who talked about the history of Western Navigation and her own experiences of celestial navigation as she and her husband sailed from the United States to New Zealand. Early on in her talk Julie mentioned ‘connecting the dots as a way of navigating‘ and I sat up straighter. She went on to talk about the certainty of stars and their capacity to, in some way, allow us to connect with our inner selves. How in these days of sophisticated GPS systems, we may not need the stars to get from a to b, but we still need them. My spine tingled.

In my last post, I referred to Carl Sagan’s comment ”we are all star stuff” by which he meant that nearly every atom inside our bodies was once inside a star. In previous posts, I’ve talked about this point in history as a convergence of crises and a time of massive global transition which will require us all to work together and connect to our selves, each other and nature.

Here’s the thing. You’re all stars. You truly are. Not only are you made of star stuff, but each of you has an element, something that you’re naturally good at, something you love doing and being, something that makes you radiant.  And yet you shine even more brightly in relationship to other stars. When you’re connected to other dots and when you share your story. The power, the potential, so much possibility, lies not just in who we are individually but who we are collectively. The stories our constellations tell.

In learning about ancient ways of navigating, yes, I’m connecting more of my own dots and beginning to seeing its value. Which is good. But what feels great, is this dawning realisation that we really do still need stars to find our way from a to b. If we are to find our way to a brighter, collaborative, infinitely more sustainable future, now more than ever before, we need to connect dots. Your dots. And the potential in that is is making this little star shine very brightly indeed.

 

 

 

 

 

 

Tink’s Apothecary & an Elixir of Faith

There are places I visit in my mind, when I am awake and when I dream. There is one in particular that I go to when I have a solution to seek, a question to answer, a puzzle piece to find. I tend to use the word apothecary to describe this place, but there are also aspects that remind me of a laboratory or a rambling old kitchen in a country home.

I usually find myself standing in front of a wooden bench covered with ingredients. Glass and crystal bottles and vials of minerals, elements and herbs. On the other side of the bench, is a large window looking out into a garden with an old oak tree. Sometimes it’s daytime but recently it’s been night and I work and play under the light of a full, bright moon.

The last few times I’ve visited the apothecary, I’ve sat at the bench staring at a crystal vial containing an elixir. It appears to be more gaseous than liquid and while initially it was green and gold, lately it’s been the colour of the aura of the moon. Paradoxically, even though I’ve made it, I’ve been sitting there wondering ‘What is it made of? What is it for? Who is it for?’

For nearly 20 years, I’ve held a vision of a 3 storied building which caters for the whole person, mind body and spirit. A space that integrates food, community, design, creative & collaborative innovation, embodied practices, a spa, a library, an emporium. Essentially it is a place of and for well-being.

My journey towards this place has been long, non-linear and at times, frankly, lonely. And yet now, collaborating with Melissa Billington on the realisation of a vision that combines the evolution of her yoga studio and the 3 storied building, the path is shared and the non-linear nature is making more and more sense.

But a big vision has a shadow side sketched with impossibility, fear and doubt. Most people Melissa and I have shared our vision with draw back, eyes wide and doubtful and say ‘Wow, that’s a REALLY big vision. How are going to make that happen?…’

While we’re working on the answer to that question, developing the structure and the business model which will allow the vision to be realised organically, it can be hard not to maintain a strong purposeful stride when faced by naysayers. But a wise man once told me recently that faith is the magic element in realising visions.

Carl Sagan, the late astronomer, said that  “we are all star stuff‘”. By this he meant that nearly every atom inside our bodies was once inside a star, nearly every atom from which we are made was once inside our star, the Sun. And if I stop for a moment and consider the impossibility of each of us being here on this pale blue dot on a spiraling arm of the Milky Way, then my vision of a 3 storied building instantly feels a great deal more possible.

What is this elixir made of? I think the shimmering elixir the colour of moonlight is made of faith and the stuff of stars. What is it for? It’s for doubt and fearful warnings of impossibility. Who is it for? Well yes, this elixir is for me, but an elixir of faith is for us all. For all the dreams and visions you hold, that pave the way forward to a much more sustainable, harmonious and interconnected future.

And so tonight as you go to sleep and find your way to the magical place in which you seek solutions, look out for your crystal vial. Keep hold of your vision, take note of your dreams and remember that you too are made of stardust.


 

 

Lessons in deception from Charlotte and her webs.

Last night, I watched an excellent documentary about education entitled We Are the People We’ve Been Waiting For. And while I found it enlightening, inspiring and at times sobering, I was (as usual) most moved by footage of a large exhausted polar bear scrambling onto a sheet of ice. It’s not that I’m unmoved by images of teenagers lost in a system which doesn’t work, not at all. It’s just that my response to animal suffering is visceral. The button which if pushed causes my eyes to well up and my mind to run through the cascading crises we’re facing as a species. Yet Nature is also the salve for that pain.

Last weekend, I spent some time in Otari Bush in Wilton. I’d not been there since primary school, which is utterly ridiculous considering it’s 10 minutes drive from home, consists of 100 hectares of native forest, 5 hectares of plant collections and an 800-year-old rimu.

The reason for the trip was a biomimcry excursion with a small group of friends. During the conversation that followed an introductory talk I gave recently, I suggested that as a way of learning from nature rather than just about it, I’d like to get a group of us together and head off into Nature. So we did.

We spent quite some time simply hanging out with the 800 year old rimu. Gazing up at its height. Pondering the function of its sweeping spiral form. We sat in the sun gently digging up the earth at its feet, with leaves and twigs, to uncover busy little insects. And we discovered a very cool spider’s web.

Peering at the base of the rimu, woven between pieces of bark, was an oddly ‘rough’ web. The silk seemed thicker than usual, tinted blue and the weaving was obvious, almost clumsy. But on closer inspection, we discovered a much finer, denser web both behind and in front of it. Why might that be?…A clever trap perhaps?

Look closely at the photo below and it appears as if the thicker, slightly wonky web is in the foreground. But what you can’t see in this photo, is that in front of it, is a very fine, sense sticky web. If it fools us, it may well fool others.

There are basically 2 approaches to practicing biomimicry. The first is to head off into nature and find organisms or eco-systems which you find particularly fascinating, identify the adaption that you find so interesting and consider how that could be applied to human design. The alternative is that you have a particular design challenge and you consider how nature would do whatever it is you want to do i.e. the question becomes “How would Nature…?”

So, if we were to take our clever little spider friend (let’s just call her Charlotte) and her web, the thing I find fascinating is her strategy of different types of web. How might that be applied? I’m working on that. If my design challenge was ‘How would Nature deceive?’ Ms Charlotte has a lesson here for me.

Actually Ms Charlotte has a couple of lessons for me. While the first may be about how to deceive, the second one is about optimism. It’s easy to become disheartened by the challenges we’re facing as a civilisation. But as Janine Benyus (founder of the Biomimicry Group) reminds us, right outside, the Earth is still a very competent place, it is incredibly resilient and in the shimmering silken threads and spiralling trunks Nature has lessons and solutions for us.

An invitation to Powa for an introduction to biomimicry.

An introduction to Biomimicry: The Art & Science of Emulating Nature

with

Tink Stephenson

If you would like to understand

how a kingfisher inspires a bullet train,

how a butterfly inspires a pigment free fibre,

how a beetle inspires an innovative way of capturing water,

how a whale inspires a wind turbine,

and a redwood forest inspires a new way of doing business,

then please join us at…

Powa Centre, Level 1, 1 Marion Street, Wellington

26 August 2011, 7.00-8.30pm

$10 tickets also include chai, brownie and popcorn.

If you could RSVP to tink@onemeall.org by Friday 19 August so we can make sure that we have plenty of popcorn that would be super. However if you’d like to play it by ear and turn up at the last minute,we’ll be delighted to see you.

Take your app and get the f*%k outside.

Here’s the thing. I’m just a little bit angry. Which appears to be not uncommon at the moment. Obviously there are a few people in London, who are more than a little bit angry.

Perhaps it’s Mercury in retrograde. Perhaps it’s the massive solar flares full of magnetic energy that we’ve been whopped by in the last week. Perhaps it’s fear. Perhaps it’s a deep-seated recognition that the bigger system we’re a part of is no longer working for us.

With respect to that system, I’ve had a number of conversations with people recently circling around the idea that one of – if not the – biggest flaw in our System, is our disconnection from Nature. We live in a world dominated by science and capitalism, we’ve acquired a massive amount of information and knowledge. But we lack wisdom. Because we also live in a world in which the economy does not appear to understand (although it knows) that it is entirely dependent on ecosystem services. We live in an era of spiraling rates of depression, anxiety and addiction. We live in a world, where in the middle of the London riots a kid tried to mug a woman for her iPhone but then turned away because it was only 3G.

How then, in an age in which we’re witnessing the exponential growth of information technology, can we reconnect with Nature?

How, I’ve been wondering, if there is no way we can stop science and technology (and of course there are so many reasons why we shouldn’t) could we create an app to facilitate our reconnection with Nature and ourselves?

It would appear, that I’ve completed missed the point.

Because I am the best app I’ll ever have.

Thanks to my friend Nick Potter  (if you haven’t checked out his blog Re-Be I suggest you do), I’ve discovered a recent article by Soren Gordhamer (organiser of Wisdom 2.0) in the Huffington Post entitled – wait for it  – The Most Important App You Will Ever Have. Which is about, you guessed it, the realisation people are experiencing ‘that no matter how great a technological device we buy or how great our network is, the real source of potential is in ourselves’.

So why am I angry? Because, while I’m mindful and eat well and walk in nature or practice yoga everyday, I spend way too much time in front of a computer (quite possibly the definition of stupid is that I know that and here I am). I’m angry because I look around me at this remarkable, brilliant, stunningly beautiful world full of natural systems our lives are dependent on and we’re systematically destroying it.

And yet I’m essentially optimistic. My hope is based on many, many wonderful, smart, generous people I know who are working towards an era of a more enlightened way of doing and being. But I still have my moments. This app of mine is human afterall. And in these moments,wherever possible, my response is to go outside. Without my iPod, so that I actually engage with the world around me.

So here’s my suggestion.

If you can, please, right now, back away from your computer…Go on,  you know you can do it.

Then take your most important-beautiful-full-of-potential app and get the f*@k outside.